Spring 2019 Events:
CIRCA PRESENTS ANDREW KEIPER AND KEI ITO
The Center for Innovation, Research, and Creativity in the Arts presents Andrew Keiper and Kei Ito, a collaborative artist team whose large-scale visual and sound installations probe the atomic bombing of Hiroshima and their intertwined family histories. Ito’s grandfather witnessed the explosion of the atomic bombing of Hiroshima that killed his family, while Keiper’s grandfather was an engineer who contributed to the effort to develop the bomb. Their collaboration grapples with this history while asserting its pertinence to a contemporary audience living in an increasingly unstable political landscape. Ito and Keiper seek mutual understanding while contemplating the roots, sorrow, and scope of the bombing. The artists will discuss their project Afterimage Requiem, a pairing of Ito’s 108 photographic prints, and Keiper’s four-channel audio experience, as well as their forthcoming work, Archives Aflame.
In 2016, Ito and Keiper received the Rubys Artist Project Grant through the Greater Baltimore Cultural Alliance to create Afterimage Requiem. The Rubys was conceived and initiated with start-up funding from the Robert W. Deutsch Foundation and are a program of the Greater Baltimore Cultural Alliance. Further support for this project comes from Full Circle Fine Art Services.
Andrew Paul Keiper is a sound artist based in Baltimore, Maryland, where he is faculty in the Animation and Film programs at the Maryland Institute College of Art. His work addresses the legacy of nuclear weaponry, race and white supremacy in Baltimore, and the frontier between sound art and experimental music. Andrew’s art has spanned the gamut from painting and woodworking to video and performance, but currently, he primarily produces sound-based art, installation, sound design, and scores. His work very often portrays reverberant acoustic spaces and the ways sounds erode when transmitted or recorded. Andrew’s work asks the audience to listen deeply into and through imagined worlds that both resist and open up to our hearing. Andrew received his BFA in painting from the Mason Gross School of the Arts at Rutgers University in 2002 and his MFA from MICA’s Photographic and Electronic Media program in 2016. He has exhibited in Baltimore, New York City, Philadelphia, New Jersey and Washington, DC. Andrew’s work has been covered by the Washington Post Magazine, the Washington Post, the BBC, the Baltimore Sun, Baltimore Magazine, Bmore Art and others.
Kei Ito is a conceptual photographer working primarily with camera-less image making and installation art. Ito earned his MFA from the Maryland Institute College of Art in 2016, following his BFA from the Rochester Institute of Technology in 2014. Ito’s work addresses issues of deep loss and intergenerational connection as he explores the materiality and experimental processes of photography. His recent exhibitions include Afterimage Requiem at the Baltimore War Memorial funded by the Rubys Artist grant; an art billboard project in NYC funded by 14×48.org, an art billboard organization; Only What We Can Carry, a solo show at the Hillyer Art Space in Washington DC; a solo exhibition hosted by Noorderlicht in the Netherlands; and he is one of the participants of 2018 FOTOFOCUS Biennial in Cincinnati. Ito’s works have been collected by major art institutions including the Museum of Contemporary Photography in Chicago, IL; the Norton Museum of Art in West Palm Beach, FL; the California Institute of Integral Studies/Chroma in San Francisco, CA; En Foco in the Bronx, NY; and the Nikon Corporation in Tokyo, Japan.
CIRCA Presents: Brooke Singer
April 1, 5:00 PM
Black Box Theater, Performing Arts and Humanities Building
A reception follows
Brooke Singer engages science, technology, politics and arts practices. Her work lives “on” and “off” line in the form of websites, photographs, hardware, visualizations, performances, installations and social spaces. She is interested in negotiating between worlds characterized as either natural or social because design in the age of the Anthropocene requires both scientific and cultural modes of inquiry. She is a serial collaborator and her partners include government, academic, cultural and business entities. She is interested in taking knowledge out of its “home” context to open up discourse, reframe ideas and allow for distinctly new possibilities. She is Associate Professor of New Media at SUNY Purchase, a co-founder of the former collective Preemptive Media and co-founder of La Casita Verde in Brooklyn, NY. Her work is in the collections of of the Whitney Museum of American Art, Microsoft and Melva Bucksbaum and Raymond Learsy.
Fall 2018 Events:
Winner of the 2018 Sondheim Award
Dresher Conference Room, PAHB 216
December 5, Noon – 1:00
Event curated by IMDA MFA Candidate Nicole Ringel
Wednesday, October 3, Noon – 1:00 PM
Mark Alice Durant, a Professor of Visual Arts, will present on Saint Lucy Books, which extends the mission of the Saint Lucy website. This publishing venture that has published three titles: 27 Contexts: An Anecdotal History in Photography by Mark Alice Durant, Hidden Mother by Laura Larson, and Conversations with Saint Lucy, featuring conversations with five important contemporary photographers: Sarah Blesener, Elinor Carucci, Doug DuBois, Ron Jude, and Rania Matar. Durant will focus his presentation on Oliver Wasow’s Friends, Enemies, and Strangers, which was released in the Spring of 2018. https://saint-lucy.com/shop/friends-enemies-and-strangers/
UMBC Visual Arts Assistant Professor Gary Rozanc, host of the notable podcast Design Edu Today, will discuss his forthcoming publication Browsers, Devices, and Fonts: A designer’s guide to fonts and how they function on the web. The book will be published through CRC Press and is forthcoming in December 2018. https://designedu.today/
Mark Alice Durant is an artist and writer living in Baltimore. His essays have appeared in numerous journals such as Art in America, Aperture, Dear Dave, Photograph magazine, Afterimage, and many catalogs, monographs and anthologies, including Vik Muniz:Seeing is Believing, Jimmie Durham, Marco Breuer: Early Recordings, Richard Learoyd: Portraits and Figures, and The Passionate Camera: Photography and Bodies of Desire.He is author of 27 Contexts: An Anecdotal History in Photography, Robert Heinecken: A Material History and McDermott and McGough: A History of Photography. He was co-curator and co-author of Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal. He was co-curator and co-author of the traveling exhibition Some Assembly Required: Collage Culture in Post War America, curator of Celestial at the Camera Club of New York and Notes on Monumentality at the Baltimore Museum of Art. He has served on the faculties of the School of the Art Institute of Chicago, UCLA, the University of New Mexico, Syracuse University, ICP, and the Milton Avery Graduate School of the Arts at Bard College. He is a professor in the Department of Visual Art at the University of Maryland.
Gary Rozanc is an Assistant Professor of graphic design at the University of Maryland, Baltimore County and the Education Director for AIGA Baltimore. Gary received his BA in graphic design from Cleveland State University and his MFA in Visual Communications from the University of Arizona. Rozanc has presented his research and findings at international and national peer-reviewed conferences including AIGA’s bi-annual National Conference “Head, Heart, Hand” and the “International Conference on Design Principles & Practices.”
CIRCA Presents Jules Rosskam, UMBC Visual Arts and Margaret Rorison, MICA
Thursday, November 29, 2018, 7:00 – 8:00pm
PAHB 132, lecture hall
Jules Rosskam is an award-winning filmmaker, educator and interdisciplinary artist interested in liminal spaces: the space between male and female, between documentary and fiction, between moving image and still. His interdisciplinary practice works to induce a perceptual shift in our understanding of how and what bodies mean in the context of documentary film, toward an apprehension of multiplicities. He is the director, producer, and editor of transparent (2005), against a trans narrative (2009), Thick Relations (2012), Something to Cry About (2018), and Paternal Rites (2018).
Recent screenings include the Museum of Modern Art, the Museum of Fine Art Boston, the British Film Institute, Arsenal Berlin, Hallwalls Contemporary Art Center, and the Queens Museum of Art. Recent residencies include Marble House Project, PLAYA, ACRE, Yaddo, and ISSUE Project Room. Rosskam holds an MFA from the School of the Art Institute of Chicago (Film, Video, New Media, 2008). He is currently Assistant Professor of Visual Arts at University of Maryland Baltimore County.
Paternal Rites will be screening at Baltimore’s Creative Alliance on September 21. https://www.paternalritesfilm.com/
Margaret Rorison is filmmaker and curator from Baltimore, MD. Her works often develop from explorations through rural and urban landscapes, combining language, sound and imagery to create installations, films and live 16mm projections. Her recent films explore the visceral nature of memory and its dialogue between space and experience. She is interested in the potentials of storytelling through the use of 16mm projection and sound, often collaborating with sound artists, exploring ways in which the image and machine can converse.
Rorison won a 2018 Baker Artist Award for Film, she is a recipient of a 2016 Rubys Artist Project Grants, a recipient of The Maryland State Arts Council 2016 Individual Artist Awards and 2015 Sondheim Semi-finalist. She was awarded a 2015 Grit Fund Grant in addition to a 2012 and 2014 Launch Artists in Baltimore Grant to start a new experimental film series, Sight Unseen which has been running since 2012.
Her work has been exhibited at Anthology Film Archives, Ann Arbor Film Festival, Edinburgh International Film Festival, Images Festival, Miami PULSE Art Fair, Mono No Aware VI & VII, Microscope Gallery, The Moscow Museum of Modern Art and The National Gallery of Art in Washington D.C.
Spring 2018 Events:
Wednesday, February 28, 12 – 1pm, PAHB 216 (lunch provided)
Neil Feather is internationally known as an inventor of experimental musical instruments. The instruments combine strings, springs, magnets, motors, flywheels, electromagnetic pickups, bicycles, bowling balls and other matter to explore the sounds of unlikely physical events. He has performed hundreds of concerts across the United States, Canada and New Zealand. He has created numerous site-specific sound installations. Neil Feather has been a key player in Baltimore’s vibrant music and art community since 1985. He was a founding member of the Red Room Collective and the High Zero Foundation. The collective presents 50 concerts a year. The High Zero Festival is in its 18th year of presenting world-class improvised and experimental music in an unusual and vital structure. Neil Feather won the Sondheim Art Prize and the Trawick Contemporary Art Prize. He was included in the Exhibit “Art or Sound” in Venice, Italy. His instruments are featured in the contemporary ballet “Sunset o6.39 Hours” produced by Ballet X in Philadelphia. He is a 2016 John Simon Guggenheim Memorial Foundation Fellow. For this presentation, Mr. Feather will talk about the taxonomy of his unique instrument designs and how ideas about music and technology find context in art galleries, performance venues and media.
Wed April 25, 12 – 1pm, PAHB 216 (lunch provided)
Professor Watson will present her work-in-progress supported by her CIRCA Fellowship, using Fitzmaurice Voicework (FV), a voice training methodology undertaken primarily by actors and professional voice users. A number of speech/language pathologists have also begun implementing aspects of it in clinical settings. Anecdotal reports have suggested that practicing FV (which involves a specially designed series exercises that are gently aerobic) results in effects similar to those of “mindfulness meditation” and “flow state”—reduced anxiety, increased confidence, and improved cognitive function. In January of 2017, Professor Watson partnered with two colleagues at Texas Tech University (from the departments of Theatre and Psychology) on a pilot study to test cognitive and other effects of FV through use of functional magnetic resonance imaging (fMRI) of the brain. The CIRCA project involves writing an article on the results of the pilot study, investigating wider implications for performing artists, and planning for an additional study with a larger subject group.
Lynn Watson is a Professor of Theatre at UMBC where she teaches voice, speech, and acting (Shakespeare, contemporary, styles) and vocal directs for department productions. She has worked extensively as a voice, speech, and dialect specialist with many established and highly regarded actors at leading regional theatres across the country including Arena Stage, Center Stage, Kennedy Center, Ford’s Theatre, and Signature Theatre in the DC/Baltimore area. On the West Coast she worked with the American Conservatory Theatre (San Francisco), Mark Taper Forum (Los Angeles), and South Coast Repertory (Costa Mesa, CA). Her articles, writing, and editing appear in various publications, most notably the Journal of Voice, “widely regarded as the world’s premiere journal for voice medicine and research,” and the Voice and Speech Review where she recently joined the Editorial Board. She directed the world premiere of Tina Howe’s short comedy, Milk and Water for the UMBC Theatre “IN 10” festival of short plays. She has acted in regional theatres and Off Broadway at the American Place Theatre in New York. She is a Master Teacher of Fitzmaurice Voicework and Past President of the Voice and Speech Trainer’s Association (VASTA).
Eric Dyer is an artist and educator who brings animation into the physical world with his sequential images, sculptures, and installations. He spent years working at a computer to produce images for the screen. Longing to “get my hands back on the work,” Dyer returned to a tactile creative process. He began exploring the zoetrope, an early form of animation. The device, popular in the 19th century, consists of a slitted drum whose interior is lined with a sequence of images. When the object is spun, the viewer peers through the apertures in the drum and the forms appear to move. By replacing the drum with a fast-shutter digital video camera, Dyer invented the process of making films from spinning sculptures. Dyer continues to innovate with new tools and applications, moving his work off the screen and into real spaces.
His work has been widely exhibited at events and venues such as the Smithsonian National Gallery of Art, Ars Electronica, international animation festivals in numerous countries, the screens of Times Square, and the Cairo and Venice Biennales. He has been honored as a Fulbright Fellow, Sundance New Frontier Artist, Creative Capital Artist, and Guggenheim Fellow. Dyer’s fervent exploration of expression through motion has placed his work in books such as Re-imagining Animation: the Changing Face of the Moving Image, Pervasive Animation, Animation: A World History, and A New History of Animation. He has been a visiting artist at institutions such as Carnegie Mellon University, ECNU in Shanghai, and CalArts. Dyer is a Professor of visual arts and animation at UMBC and is represented by Ronald Feldman Fine Arts, New York.
For his CIRCA Presents presentation, Professor Dyer will discuss recent motion artworks that mash together digital and very physical approaches.
Launch Event for New Publications by Faculty Researchers Lisa Cella, Carla Viviana Coleman Cordova, and Airi Yoshioka
Tuesday, November 7, 4 – 5:30pm, refreshments provided
216 Performing Arts and Humanities Building
The Center for Research, Innovation and Creativity in the Arts (CIRCA) presents Lisa Cella, Carla Viviana Coleman Cordova, and Airi Yoshioka. The event recognizes recent CD releases by professors Cella and Yoshioka, and a book publication by professor Coleman Cordova.
A champion of contemporary music, Lisa Cella, Associate Professor of Music, has performed throughout the United States and abroad. She is Artistic Director of San Diego New Music and a founding member of its resident ensemble NOISE. With NOISE she has performed the works of young composers all around the world. Lisa is co-artistic director of NOISE’s annual festival of modern music entitled soundON. Lisa co-founded the flute collective inHALE, a group dedicated to developing challenging and experimental repertoire for two and three flutes. inHALE was an invited ensemble at the National Flute Association Convention in San Diego in August of 2005. She, along with Franklin Cox, is a founding member of C2, a touring flute and cello duo. As a soloist, she has performed both nationally and internationally and is a faculty member of the Soundscape Festival of Contemporary Music in Maccagno, Italy and Nief Norf based in Knoxville, Tennessee. Her undergraduate work was completed at Syracuse University and she received a Master of Music degree and a Graduate Performance Diploma from Peabody Conservatory. She received a Doctor of Musical Arts degree in contemporary flute performance at the University of California, San Diego.
Carla Viviana Coleman Cordova, Assistant Professor of Visual Arts, is an educator, researcher, graphic designer, and artist. Her work has been featured in the books Indie publishing (2008) and Graphic Design: The New Basics (2008), both published by Princeton Architectural Press. She owns, edits, and maintains the website http://www.webtypography.org. Her motion design work has been aired on Telemundo and BET television stations. She has done web design for the NIH and her print work has been published by Princeton Architectural Press, The Source Magazine, John Hopkins University, and others. Her work has been exhibited in The Siggraph Exhibition Conference and Ssamzie Space, Gallery 175 in Seoul, Korea. She served on the Board of Directors of AIGA Baltimore and she is still an active member of AIGA. Also, she is a member of CAA, IXDA, and IDA. Coleman-Cordova co-authored, along with Yeohyun Ahn, a book titled Type and Code: Processing for Designers (2009) published by MICA, Maryland Institute College of Art. Coleman-Cordova holds a BFA in graphic design with a concentration in Interactive Media and an MFA in Graphic Design from MICA.
Hailed by the Gramophone Magazine as “brilliant and intrepid”, violinist Airi Yoshioka, Professor of Music, has concertized throughout the United States, Europe, Asia, and Canada as a recitalist, soloist and chamber musician. Deeply committed to chamber music, she is the founding member of the Damocles Trio and Modigliani Quartet and has performed and recorded with the members of the Emerson, Brentano and Arditti Quartets. Damocles Trio’s debut disc of complete Piano Trios and Piano Quartet of Joquín Turina has won a four-star rating from the BBC Music Magazine, Le Monde de la Musique and Diapason. Her orchestral credits include performances with the Orpheus Chamber Orchestra, American Sinfonietta and engagements as concertmaster and soloist with the Manhattan Virtuosi and concertmaster of one of the festival orchestras at the Aspen Music Festival. An enthusiastic performer of new music, she was one of the original members and concertmasters of the New Juilliard Ensemble and had performed annually in Juilliard’s FOCUS! Festival and is currently a member of Continuum, ModernWorks!, RUCKUS, Son Sonora, and Azure Ensemble. Her solo and chamber performances can be heard on Naxos, New World, Claves, Mode, Albany, Neuma, and Pony Canyon records labels.