Friday, November 9 – Saturday, November 10, 8:00 pm
Dance Cube, Performing Arts and Humanities Building 337
The Department of Dance presents the Senior Dance Concert, featuring new works that explore the past, present, and future of the human experience through elaborate and exciting movement.
Sunday, November 11, 3 p.m.
Earl and Darielle Linehan Concert Hall
Tenor Andrew Sauvageau and pianist Hui-Chuan Chen and perform Franz Schubert’s Winterreise (D. 911), the darkest of the composers three seminal art song cycles. Setting 24 poems of Wilhelm Müller to music, Schubert transports listeners on a moving, but mournful “winter journey” — that of a lonely traveller wishing to rid himself of the despair of lost love — composed almost entirely using minor keys.
Directed by Nyalls Hartman
November 15 – 18
Following an accidental meeting in a coffee shop, a woman, Jean, inherits (or rather, pockets) an incessantly ringing cell phone from underneath its recently deceased owner, Gordon. Caught up in a series of strange encounters, Jean must confront her own assumptions about morality, redemption, and the need to connect to another human being in a technologically obsessed world. Wildly imaginative and, at times, funny, sad, and touchingly beautiful, the play muses on the absurdity of today’s human interaction and the difficulty of finding and holding onto meaningful relationships.
Thursday, November 15th, 8 p.m.
Friday, November 16th, 8 p.m.
Saturday, November 17th, 8 p.m.
Sunday, November 18th, 2 p.m.*
CIRCA Presents Jules Rosskam, UMBC Visual Arts and Margaret Rorison, MICA
Thursday, November 29, 2018, 7:00 – 8:00 pm
PAHB 132, lecture hall
Jules Rosskam is an award-winning filmmaker, educator and interdisciplinary artist interested in liminal spaces: the space between male and female, between documentary and fiction, between moving image and still. His interdisciplinary practice works to induce a perceptual shift in our understanding of how and what bodies mean in the context of documentary film, toward an apprehension of multiplicities. He is the director, producer, and editor of transparent (2005), against a trans narrative (2009), Thick Relations (2012), Something to Cry About (2018), and Paternal Rites (2018).
Recent screenings include the Museum of Modern Art, the Museum of Fine Art Boston, the British Film Institute, Arsenal Berlin, Hallwalls Contemporary Art Center, and the Queens Museum of Art. Recent residencies include Marble House Project, PLAYA, ACRE, Yaddo, and ISSUE Project Room. Rosskam holds an MFA from the School of the Art Institute of Chicago (Film, Video, New Media, 2008). He is currently Assistant Professor of Visual Arts at University of Maryland Baltimore County.
Paternal Rites will be screening at Baltimore’s Creative Alliance on September 21. https://www.paternalritesfilm.com/
Margaret Rorison is filmmaker and curator from Baltimore, MD. Her works often develop from explorations through rural and urban landscapes, combining language, sound and imagery to create installations, films and live 16mm projections. Her recent films explore the visceral nature of memory and its dialogue between space and experience. She is interested in the potentials of storytelling through the use of 16mm projection and sound, often collaborating with sound artists, exploring ways in which the image and machine can converse.
Rorison won a 2018 Baker Artist Award for Film, she is a recipient of a 2016 Rubys Artist Project Grants, a recipient of The Maryland State Arts Council 2016 Individual Artist Awards and 2015 Sondheim Semi-finalist. She was awarded a 2015 Grit Fund Grant in addition to a 2012 and 2014 Launch Artists in Baltimore Grant to start a new experimental film series, Sight Unseen which has been running since 2012.
Her work has been exhibited at Anthology Film Archives, Ann Arbor Film Festival, Edinburgh International Film Festival, Images Festival, Miami PULSE Art Fair, Mono No Aware VI & VII, Microscope Gallery, The Moscow Museum of Modern Art and The National Gallery of Art in Washington D.C.
Information Technology and Engineering, ITE 201B
December 3, Noon-1:00
Tour and Light Lunch Reception
UMBC’s Pi Squared facility is a partial CAVE2 immersive virtual reality environment consisting of a room-sized six-by-four wall of thin-bezel, 3D 1080p monitors, plus an Advance Realtime Tracking (ART) system, and computing cluster. Artists and performers with interests in simulation, augmented reality, virtual reality, projection and performance are encouraged to attend this information session revealing a hidden gem on our campus.
Pi Squared is located in room 201B of the Information Technology and Engineering (ITE) building. The initial purchase of the system was made possible with the support of an Major Research Instrumentation grant from the National Science Foundation and generous support from the Next Century Corporation keeps the facility humming.
Center for Art, Design and Visual Culture
September 13 – December 8
Opening Reception: Thursday, September 13, 5 – 7 p.m.
The Center for Art, Design and Visual Culture presents A Designed Life: Contemporary American Textile, Wallpapers, Containers and Packaging, an exhibition based on three historically significant traveling exhibitions of contemporary mass-produced, American-designed consumer goods that were commissioned by the U.S. Department of State in the early 1950s. It recreates and interprets those early Cold War exhibitions — including American textiles, wallpapers, containers, and packaging — restating and interpreting part of each display as it might have appeared in the early 1950s.
Depth of Field: Recent Acquisitions at Library Gallery
Exhibition dates August 29 – December 19
Featured artists include Laurie Brown, Kristin Capp, Clarence Carvell, William Eggleston, Donna Ferrato, Robert Fichter, Todd Forsgren, Peggy Fox, Sally Gall, Ralph Gibson, Penny Harris, Sam Holden, Irina Ionesco, Walter Ioos, N. Jay Jaffee, Brian Jones, Nate Larson, Alen MacWeeney, Mary Ellen Mark, Dorothy Norman, David Seltzer, David Seymour, Steve Szabo, Barbara Traub, Peter Turnley, and Robert VonSternberg.
Highlights of Arts Faculty, Student and Alumni Research
Dan Bailey named 2018-2019 Lipitz Professor
Nonument 01 named Best Public Art by Baltimore Magazine, Prof. Lisa Moren + IMDA MFA alumnus Jaimes Mayhew
Kudos to Visual Arts Department Professor Lisa Moren and IMDA MFA alumnus Jaimes Mayhew, and Slovenian partners Martin Bricelj Baraga and Neja Tomšič on winning the Best Public Art category for Baltimore Magazine’s August 2018 issue. Through the custom augmented reality app, viewers hold up a tablet or smart-phone to reveal a full-scale, 3D architecturally correct simulation of the now demolished McKeldin Fountain. NONUMENT is an international series of public art projects dedicated to preserving the memory of lost public spaces. The NONUMENT 01 app is the first entry in this series, and will preserve the lost McKeldin Fountain and its history through the power of augmented reality. Using a tablet or smart phone, the NONUMENT 01 app creates a three-dimensional projection of objects and waterfalls that are no longer there, superimposing the fountain on a live scene captured through the device’s camera.
More on the project, here.
“Crazy in Louvre” – Visual Arts Department Chairperson James Smalls writes in Frieze
In an opinion piece in Frieze James Smalls analyzes how Beyoncé and Jay-Z exploit Western Art History to ask who controls Black bodies. He writes on the musicians takeover of the Paris museum and what its says about art, race and power, describing the potency of the Carters’s contemporary message.
Read the full op ed here.
Eric Dyer named inaugural Merriweather District Artist-in-Residence
The Howard Hughes Corporation, in collaboration with the Howard County Arts Council, has announced the selection of Visual Arts Professor Eric Dyer as one of three inaugural Merriweather District Artist-in-Residence artists for the program based in Downtown Columbia, MD. The artists will each receive a stipend of $10,000 and the use of studio space in the Merriweather District to spend up to two months, from June 11-August 31, creating work in a medium of their choosing. Studio space will be provided in Two Merriweather office building in Downtown Columbia’s Merriweather District. Residential accommodations will be provided within walking distance at The Metropolitan Downtown Columbia apartments.
During his residency in the Merriweather District Eric Dyer, who attended high school in Howard County, will create interactive animated artworks that explores the conflict between the usefulness of digital devices and the human need for physical, real-world experiences.
Dance and Linehan Artist Scholar alumna Maia Schechter ’18 debuts dance at Kennedy Center
On Saturday, June 9 Maia Schechter presented her choreographic work Now Elsewhere at the John F. Kennedy Center for the Performing Arts in Washington, DC. Schechter’s dance was selected for the finals of the American College Dance Festival (ACDF) through a nationally competitive process. Her dance, Now Elsewhere, previously has been performed at West Chester University in Pennsylvania and twice at UMBC.
“Now Elsewhere is a dance that explores the emotions and events that happen after someone passes away,” explains Schechter. “Throughout the dance there is a range of movement that begins as very minimal and gestural and grows into an explosive full-body expression. The dancers experience their loss together and individually, which can be seen in solo and ensemble work, as their relationships are ever changing throughout the dance.” More on this story here.
Mina Cheon will be featured in the 2018 Busan Biennale. As Artforum notes the biennale “will feature the work of sixty artists who were invited to respond to issues ranging from the global political climate to the international exchange and obstruction of information.” The exhibition will be on view from September 8 – November 11 at the Museum of Contemporary Art Busan, South Korea. Follow this link for more information at Artforum. Mina Cheon is represented by Ethan Cohen Fine Arts.
Dr. Ellen Handler Spitz of the UMBC Honors College publishes in the New York Times
CIRCA is delighted to note that UMBC Honors College professor Dr. Ellen Handler Spitz has contributed to the New YorkTimes Summer Reading issue, dated June 1st. In it, she reviewed three new children’s books, including two graphic novels. In her review she notes that “these three books for young readers — all set after school’s out — contain education and entertainment, nuanced instruction and unalloyed amusement. Summer books for children can and should include both.” The review is linked here.
UMBC Cinematic Arts Jules Rosskam and IMDA MFA alumna Agnès Moon ’99 win Rubys
The Greater Baltimore Cultural Alliance (GBCA) announced that two UMBC affiliated artists were selected for 2018 Rubys Artist Project Grants in media arts and performing arts. Jules Rosskam, Assistant Professor of Cinematic Arts was supported for Dance, Dance, Evolution, a short documentary film that explores transgender people’s relationship to dance. Agnès Moon ’99 has won her second Rubys, this time to back Hapaxes, an experimental non-fiction video which uses reenactments and voice-over commentary to mine meaning from a previously-hidden trove of personal photos in an effort to understand a suppressed family history as well as the denotative limits of visual representation.
NONUMENT01:: McKeldin Fountain launched May 19th at McKeldin Square and at MAP
NONUMENT01:: McKeldin Fountain is the first augmented reality [AR] monument to be sited in Baltimore’s Inner Harbor and free speech zone. The egalitarian “nonument” or “no monument” recreates the demolished Brutalist-style fountain with the latest AR technology in order to address the politics of public space including: how public behavior is controlled by a variety of mechanisms?, and, who has more exclusive access to what spaces? When viewers hold up a mobile device the participant will “put back the fountain” and see and hear documented interviews and “whisper chambers” of underrepresented voices in Baltimore City. More on the launch events.
IMDA MFA alumna Marian April Glebes leads an $100k effort to transform the transportation hub at Penn Station, Baltimore
UMBC Faculty at SPARK II at Light City
This year SPARK II marked a new collaboration between UMBC and Towson University faculty in a pop-up gallery that featured a variety of light-based work.
Sponsored by PNC Bank and organized by Ginevra Shay, SPARK II was on display from April 13-22 and was featured as a stop on the BGE Light Art Walk for the first time. Spark is a multi-media gallery highlighting the work of faculty artists from UMBC, Towson University and Baltimore County Community College.
SPARK II was on view inside the Pratt Street Pavilion at Harborplace. Note the work by Stephen Bradley (left), which examines the microscopic life that clings to floating trash pulled from the brackish shoreline of the Patapsco River’s Middle Branch at Masonville Cove.
Kelley Bell’s installation, The Herd: An inflatable host seeking safe harbor, floated over 375 luminous solar powered inflatable swim rings in Baltimore Harbor for the Light City Festival. To make sure that more plastic does not end up in our waterways, the inflatables used in The Herd were offered for sale during the Light City 2018 Festival. All proceeds will be donated to three non-profit partners: Waterfront Partnership’s Healthy Harbor Initiative, the Baltimore-based performance group Fluid Movement, and the Living Classrooms Foundation. For more information about The Herd: An inflatable host seeking safe harbor, please visit www.cakeweek.com/the-herd.
Lynn Cazabon, Professor, Visual Arts
Professor Lynn Cazabon has been awarded a commission to produce a new community-based project Pierderea Iernii with the National Museum of Contemporary Art in Bucharest, Romania. The project will be realized during a residency there in Summer 2018 and will culminate with an exhibition in the museum in September 2018.
Professor Lynn Cazabon received a South Bronx Resiliency Arts Fellowship to produce a new community-based project with the The Point CDC Spring 2018. Her project is focused on wild edible plants thriving in the Hunts Point Section of the Bronx and will include plant/photo workshops with teens and adults at the International Center of Photography at The Point. She will also create posters for display in bus shelters in the area.
Dr. Maurice Berger, CADVC Research Professor
Dr. Maurice Berger’s article on the Senegalese artist Omar Victor Diop will appear in National Geographic’s April issue devoted to exploring race, ”how race defines, separates, and unites us.” The magazine put together a team of photographers and race writers to explore one of the most complicated and vexing issues of our time. Dr. Berger’s article will appear in both the web and print editions of the magazine. Click here to read the article on the web.
Kelley Bell, Professor, Visual Arts
Timothy Nohe, Professor, Visual Arts
Timothy Nohe and Julie Wills’s collaborative installation with quadrophonic sound S GNAL ING DI SIPAT ON exhibits at China Hutch Projects in Chestertown, MD, March 9-29, 2018. Opening reception Friday, March 9 at 6 p.m. Click here for more information.
Dr. Maurice Berger, CADVC Research Professor
Dr. Maurice Berger is receiving a 2018 Infinity Award from the International Center for Photography in the category of Critical Writing and Research. The award honors his Race Stories column for the Lens section of the New York Times. Details about the 2018 Infinity Awards here.
Jules Rosskam, Professor, Cinematic Arts
Jules Rosskam’s film Paternal Rites is screened at Doc Fortnight 2018: MoMA’s International Festival of Nonfiction Film and Media. Critic Joshua Brunsting writes the film “fully transcends the world of documentary filmmaking, feeling more akin to a recorded therapy session, itself playing into the film’s theme of forgiveness and healing. Gorgeously crafted and emotionally devastating, Paternal Rites is a breathtaking experience that finds a level of intimacy few films are ever willing to go, almost to a point that feels experimental.” Read the full review here.
Eric Dyer, Professor, Visual Arts
Eric Dyer presents fourteen new works in Seeking Motion Hidden, at Ronald Feldman Galery, New York, February 24 – March 31, 2018. The new works are wall-hung and spun by the audience, bringing complex kinetic images to life. Reception: February 24, 6pm – 8pm
Lisa Moren, Professor, Visual Arts
NONUMENT 01::The McKeldin Fountain augmented reality app makes its American debut February 15 – 17, at The Ammerman Center for Arts and Technology at Connecticut College in “Intersections: the 16th Biennial Symposium on Arts and Technology.” The European launch occurs February 20-28 at the City Museum of Ljubljana. The NONUMENT Group documented citizens’ testimonies & created a virtual memorial to the demolished fountain in Baltimore’s Inner Harbor. When viewers hold up a tablet or smartphone like a protest sign, they reveal a full-scale, 3D architecturally correct model of the controversial half-acre McKeldin Fountain. Tap on a protest sign at any time to bring back the brutalist-style monument that was demolished in January 2017. iTunes AppStore link.
Mina Cheon, IMDA MFA alumna
Sam Winnie, Music ’15
Congratulations to Sam Winnie ’15 for being selected for the Baltimore Classical Guitar Society commissioning grants this season.
IMDA MFA Candidate Jeffrey Gangwisch & IMDA alumna Christine Ferrera
Susan McCully, Assistant Professor, Theatre
Susan McCully’s new work All She Must Possess, a play inspired by the life of Etta Cone will have its world premiere February 7 – 25, 2018 at Rep Stage, the professional regional theatre in residence at Howard Community College. Professor McCully has two upcoming staged readings of the play scheduled – at UC-Santa Cruz on November 6, 2017 and at Everyman Repertory Theatre in Rockport, ME on December 30, 2017.
Airi Yoshioka, Professor, Music
Professor of Music Airi Yoshioka recently released Sueños Místicos, a CD featuring her performance of works by Latin American composers whose contemporary music reflects their personal cultural experiences. Composers featured on the CD are Roberto Sierra, Pablo Ortiz, Gabriela Lena Frank, Errollyn Wallen, Tania León, and Paul Desenne.
Spring 2018 CIRCA Faculty Research Fellowships
Eric Dyer, Professor, Visual Arts
“Physical Presence in the Digital Landscape”
Lynn Watson, Professor, Theatre
“Fitzmaurice Voicework Pilot Study with fMRI”
2017 CIRCA Summer Faculty Fellowships
Stephen Bradley, Associate Professor, Visual Arts
Water’s Edge Biome Tells, collaboration with Dr. DeCarvalho of the Department of Biological Sciences
Corrie Francis Parks, Assistant Professor, Visual Arts